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The Cognitive Impact of Contemporary Television Series

ISBN:
978-3-03-435380-9
Verlag:
Peter Lang Group AG, International Academic Publishers
Land des Verlags:
Schweiz
Erscheinungsdatum:
11.03.2025
Reihe:
Cultural Media Studies
Format:
Hardcover
Seitenanzahl:
176
Ladenpreis
105,40EUR (inkl. MwSt. zzgl. Versand)
Lieferung in 3-4 Werktagen Versandkostenfrei ab 40 Euro in Österreich
Hinweis: Da dieses Werk nicht aus Österreich stammt, ist es wahrscheinlich, dass es nicht die österreichische Rechtslage enthält. Bitte berücksichtigen Sie dies bei ihrem Kauf.

Television serial fiction is one of the most popular cultural products around the world today, and there is much indirect evidence that its stories influence the understanding of those who watch and enjoy it. All the chapters gathered in this collection address the idea that the specific aesthetic and narrative properties of television seriality contribute to distinct ways of conveying cognitive impact in a broad sense: from content learning, to reflection on social and philosophical issues, to character engagement and emotional reactions. The Cognitive Impact of Contemporary Television Series goes through some of the thematic constants of the last decade of television seriality, such as dystopia, coming-of-age or metaphysical drama, making panoramic views and delving into specific case studies, like The Purge, The End of the F***ing World and Undone, among many others. This book will be of interest to graduate students and scholars working in television studies, as well as in film studies, cognitive media theory, media psychology, and aesthetics.

Biografische Anmerkung

Jesús Jiménez-Varea holds a Master of Science in Theoretical Physics and a PhD in Media and Communication from the Universidad de Sevilla (Spain), where he is an Associate Professor. His works on seriality, comics, vigilantism, violence, and ideology have appeared in international journals and collections.

Alberto Hermida is an Associate Professor in Media and Communication from the Universidad de Sevilla (Spain). He holds a PhD in Communication Studies and his main lines of research and teaching are digital image and aesthetics, mise-en-scène in film and television, and seriality.