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The Mediatization of the Artist

ISBN:
978-3-319-66229-9
Auflage:
1st ed. 2018
Verlag:
Springer International Publishing
Land des Verlags:
Schweiz
Erscheinungsdatum:
08.02.2018
Format:
Hardcover
Seitenanzahl:
269
Ladenpreis
120,99EUR (inkl. MwSt. zzgl. Versand)
Lieferung in 5-10 Werktagen Versandkostenfrei ab 40 Euro in Österreich
Hinweis: Da dieses Werk nicht aus Österreich stammt, ist es wahrscheinlich, dass es nicht die österreichische Rechtslage enthält. Bitte berücksichtigen Sie dies bei ihrem Kauf.
This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiencesin mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?

Biografische Anmerkung

Rachel Esner is Assistant Professor of Art History at the University of Amsterdam, Netherlands. She is a specialist in nineteenth-century French art and photography. Her research focuses on the artist’s studio and the emergence of the artist as a public figure. Among others, she is co-editor of Hiding Making – Showing Creation: The Studio from Turner to Tacita Dean (2013).

Sandra Kisters is Head of Collection and Research at Museum Boijmans Van Beuningen in Rotterdam, Netherlands. Her research focuses on the (self-)representation of the modern artist. Her publications include the edited volume Hiding Making – Showing Creation: The Studio from Turner to Tacita Dean (2013), and The Lure of the Biographical: On the (Self)-Representation of Modern Artists (2017).